November 25, 2024

The Harp

Travelling on a plane from Luxor to Cairo, Egypt, I was passing  a cup of tea carefully across to the lady on my left. Falling into conversation with her, I discovered she was a musician who played and taught the harp in Cairo. She must have caught my look of surprise because I had always rather tended to think of harps as being played in drawing rooms in Regency England (or Bridgerton) by prospective brides happy to demonstrate their musical prowess.

She reminded me that harps were actually played in antiquity, at least since 3,000BC and that there are pictures of harps in the wall paintings of many Ancient Egypt tombs. The goddess Hathor was often depicted with a harp and she was associated with the sky, with women, love, drinking and music.

Indeed, the harp, which was called benet in ancient Egyptian, was one of the most popular musical instruments throughout pharaonic history. A bow harp is one of the oldest musical instruments to have survived, characterized by a long, curving neck and a shovel-shaped sound box. It would have originally been covered by parchment or animal skin and the sound box would have resonated when the instrument’s five strings were plucked.

Harps remain essentially triangular and are still made primarily of wood today. The distance between the tuning peg and the soundboard, as well as the tension and weight of each string, determines the pitch. The body is hollow, and when the string is plucked, the body resonates, projecting sound.

Harps were played by both men and women and it is clear the instrument was used as accompaniment for singing. The ancient Egyptian word for musician was hst (heset) and it is not dissimilar to the Old English hearpe which is akin to Old High German harpha that leads to the word harpsichord, albeit that instrument is very different from the harp and did not evolve until the Middle Ages.

Harps also have a long history in Britain. One is depicted on an 8th-century Pictish stone in Scotland[ which dates from around 800 AD. Christianity attributed celestial harps to angels giving the instrument associations of the sacred and heavenly.

Today, it is a less fashionable musical instrument. The shape has evolved to incorporate the “pillar”, a third structural member to support the far ends of the arch and soundbox. The concert harp is an even more technologically advanced instrument, distinguished by its use of pedals, (foot-controlled levers) which can alter the pitch of given strings, making it chromatic and thus able to play a wide body of classical repertoire whether alone or in ensembles with singers and other musicians.

The painted ceiling of the Music Room at Highclere is dedicated to the wisdom of the Roman goddess Minerva. Ancient Greece and Rome both had many representations of ladies playing harps (or Lyres) shown on vase paintings dating from as far back as 400 BC but on the whole the lyre was much more popular in both cultures. Nevertheless, there is a rather romantic depiction of a classical musician on the gilded doors in the room.

Harps  became popular in the drawing rooms of grand homes and young girls such the harp-playing Mary Crawford in Mansfield Park would have entertained the assembled party with lilting repertoires.

Not far from Highclere, at Chawton in Hampshire, a 250-year-old harp that was once owned by Jane Austen’s cousin Eliza has been restored and it plays differently from a harp of today with a very bright, silvery sound but is a gentler instrument designed to be to be played in a salon at home.

We still occasionally ask a harpist, Tory Hands – a much-lauded classical musician, to play at some events at Highclere. Music seems to reach inside our minds in such a different way to almost anything else and always adds an extra dimension to any evening.

“Life seems to go on without effort when I am filled with music.” (George Eliot)